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You must strive to multiply bread so that it suffices for the tables of mankind, and not rather favor an artificial control of birth, which would be irrational, in order to diminish the number of guests at the banquet of life.
We see in these swift and skillful travelers a symbol of our life, which seeks to be a pilgrimage and a passage on this earth for the way of heaven.
We consider Christmas as the encounter, the great encounter, the historical encounter, the decisive encounter, between God and mankind. He who has faith knows this truly; let him rejoice.
Think how many blameless lives are brightened by the blazing indiscretions of other people.
The work of art, just like any fragment of human life considered in its deepest meaning, seems to me devoid of value if it does not offer the hardness, the rigidity, the regularity, the luster on every interior and exterior facet, of the crystal.
The pope-and we know this well-is without doubt the most serious obstacle on the ecumenical road.
The pope is becoming a missionary, you will say. Yes, the pope is becoming a missionary, which means a witness, a shepherd, an apostle on the move.
The older the fiddler, the sweeter the tune.
The Eucharistic mystery stands at the heart and center of the liturgy since it is the fount of life by which we are cleansed and strengthened to live not for ourselves but for God and to be united in love among ourselves.
Somebody should tell us, right at the start of our lives, that we are dying. Then we might live life to the limit, every minute of every day. Do it! I say. Whatever you want to do, do it now! There are only so many tomorrows.
Physics does not change the nature of the world it studies, and no science of behavior can change the essential nature of man, even though both sciences yield technologies with a vast power to manipulate the subject matters.
Of all human activities, man’s listening to God is the supreme act of his reasoning and will.
Nothing makes one feel so strong as a call for help.
No more war! Never again war! If you wish to be brothers, drop your weapons.
Never reach out your hand unless you’re willing to extend an arm.
Never give advice in a crowd.
Liturgy is like a strong tree whose beauty is derived from the continuous renewal of its leaves, but whose strength comes from the old trunk, with solid roots in the ground.
In youth the days are short and the years are long. In old age the years are short and day’s long.
If you want peace work for justice.
I met a hundred men going to Delhi and everyone is my brother.
Failing to be there when a man wants her is a woman’s greatest sin, except to be there when he doesn’t want her.
Everyone who got where he is had to begin where he was.
Every mother is like Moses. She does not enter the promised land. She prepares a world she will not see.
Are there memories left that are safe from the clutches of phony anniversaries?
Any port in a storm.
Anger is as a stone cast into a wasp’s nest.
All life demands struggle. Those who have everything given to them become lazy, selfish, and insensitive to the real values of life. The very striving and hard work that we so constantly try to avoid is the major building block in the person we are today.
Affection, like melancholy, magnifies trifles; but the magnifying of the one is like looking through a telescope at heavenly objects; that of the other, like enlarging monsters with a microscope.
A dimple on the chin, the devil within.
존 휴즈
You know those sexy pinup posters people put up in their bedrooms? I always saw them as being kind of silly and vacant.
Why watch someone kissing when people really close their eyes when they kiss?
When I go to a concert, I can’t believe that people pay lots of money to see a band that they obviously like and then they dance the whole time.
When a book is written, it’s a final product. But, when a script is finished, it’s really just a blueprint. And it’s an extraordinary experience for me to watch someone take what I wrote and imagined and make it three-dimensional. And it’s great if someone
The young actors get hit harder because of their age. Because Rat Pack – which Brat Pack is clearly a parody of – was not negative. Brat Pack is. It suggests unruly, arrogant young people, and that description isn’t true of these people.
Rock ‘n’ roll is a young form. People over twenty-five ruin it. This whole censorship thing has come about because old people are playing with a form that is essentially young and rebellious. Do you know how brilliant it was for The Beatles to break up whe
Ooh, Canada, exotic.
My heroes were Dylan, John Lennon and Picasso, because they each moved their particular medium forward, and when they got to the point where they were comfortable, they always moved on.
My generation had to be taken seriously because we were stopping things and burning things. We were able to initiate change, because we had such vast numbers. We were part of the baby boom, and when we moved, everything moved with us.
Most of my characters are romantic rather than sexual. I think that’s an essential difference in my pictures. I think they are more accurate in portraying young people as romantic – as wanting a relationship, an understanding with a member of the opposite
It’s like being at the kids’ table at Thanksgiving – you can put your elbows on it, you don’t have to talk politics… no matter how old I get, there’s always a part of me that’s sitting there.
It’s been about ten years since I’ve worked with actors who knew their lines!
I’m a former hippie, so clothes are important to me – your clothes defined you in that period. I guess clothes still defines people. But, I change a lot. I’m in my Brooks Brothers period now.
I was really amused when someone once called me a purveyor of horny sex comedies. He listed Breakfast Club and Mr. Mom in parentheses.
I was obsessed with romance. When I was in high school, I saw Doctor Zhivago every day from the day it opened until the day it left the theater.
I so desperately hate to end these movies that the first thing I do when I’m done is write another one. Then I don’t feel sad about having to leave and everybody going away.
I like young actors because they’re so unspoiled, not like some of those actors who are about half an hour into their fifteen minutes of fame by the time they get to me.
I find that screen kissing wears very thin very quickly.
I don’t consider myself qualified to do a movie about international intrigue – I seldom leave the country.
I always preferred to hang out with the outcasts, ’cause they were cooler; they had better taste in music, for one thing, I guess because they had more time to develop one with the lack of social interaction they had!
I admire people like Judd Nelson, who have an innate sense of fashion. Judd could wear a bathrobe and sanitarium sandals and a fedora and look good.
Getting into the Lampoon was like a Boy Scout initiation or something – they’d be very cruel to you until you made someone laugh, then they welcomed you into the fold.
Fantastic! Right in the middle of that long stretch between Christmas and Spring Break, your coats are getting dirty, everything’s dark, dingy – what a great time for a movie!
At the time I came along, Hollywood’s idea of teen movies meant there had to be a lot of nudity, usually involving boys in pursuit of sex, and pretty gross overall. Either that or a horror movie. And the last thing Hollywood wanted in their teen movies was
Advertising was fairly simple work, and I really just wanted a job where I could sit and write every day and not get fired for it like I had at other jobs, but it was fun.