{"id":3684,"date":"2015-12-28T01:04:46","date_gmt":"2015-12-28T10:04:46","guid":{"rendered":"http:\/\/w3devlabs2.cafe24.com\/wp\/2015\/12\/28\/2015%eb%85%84-12%ec%9b%94-28%ec%9d%bc-%ec%98%a4%eb%8a%98%ec%9d%98-%eb%aa%85%ec%96%b8\/"},"modified":"2015-12-28T01:04:46","modified_gmt":"2015-12-28T10:04:46","slug":"2015%eb%85%84-12%ec%9b%94-28%ec%9d%bc-%ec%98%a4%eb%8a%98%ec%9d%98-%eb%aa%85%ec%96%b8","status":"publish","type":"post","link":"http:\/\/w3devlabs.net\/wp\/?p=3684","title":{"rendered":"2015\ub144 12\uc6d4 28\uc77c \uc624\ub298\uc758 \uba85\uc5b8"},"content":{"rendered":"<h3>\ubaa8\ub9ac\uc2a4 \ub77c\ubca8<\/h3>\n<p>\ub098\ub294 \ub07c\uccd0\uc9c8 \uc601\ud5a5\uc744 \uace0\ub824\ud574 \uc2dc\uc791\ud588\ub2e4<\/p>\n<p>You might lose your spontaneity and, instead of composing first-rate Gershwin, end up with second rate Ravel.<\/p>\n<p>We should always remember that sensitiveness and emotion constitute the real content of a work of art.<\/p>\n<p>The only love affair I have ever had was with music.<\/p>\n<p>Remember that I wrote a pavane for a dead princess, and not a dead pavane for a princess!<\/p>\n<p>My intention here is to make it clear that not a single cell of my composition, here in regard to The Raven, is found by chance or intuition, that the composition moved towards perfection with the precision and inevitability of a mathematical equation.<\/p>\n<p>Music, I feel, must be emotional first and intellectual second.<\/p>\n<p>It is beautiful; it is beautiful after all; I have said nothing; I leave nothing. I have not said what I wanted to say. I have so much more to say.<\/p>\n<p>I look like a moor.<\/p>\n<p>I did my work slowly, drop by drop. I tore it out of me by pieces.<\/p>\n<p>I am not one of the great composers. All the great have produced enormously. There is everything in their work &#8211; the best and the worst, but there is always quantity. But I have written relatively little.<\/p>\n<p>For Debussy the musician and the man I have had profound admiration, but by nature I&#8217;m different from him. I think I have always personally followed a direction opposed to that of the symbolism of Debussy.<\/p>\n<p>Another significant influence, other than Chabrier &#8211; is from Satie, who had a notable effect on Debussy, on myself, and, to tell the truth, on the majority of modern French composers.<\/p>\n","protected":false},"excerpt":{"rendered":"<h3>\ubaa8\ub9ac\uc2a4 \ub77c\ubca8<\/h3>\n<p>\ub098\ub294 \ub07c\uccd0\uc9c8 \uc601\ud5a5\uc744 \uace0\ub824\ud574 \uc2dc\uc791\ud588\ub2e4<\/p>\n<p>You might lose your spontaneity and, instead of composing first-rate Gershwin, end up with second rate Ravel.<\/p>\n<p>We should always remember that sensitiveness and emotion constitute the real content of a work of art.<\/p>\n<p>The only love affair I have ever had was with music.<\/p>\n<p>Remember that I wrote a pavane for a dead princess, and not a dead pavane for a princess!<\/p>\n<p>My intention here is to make it clear that not a single cell of my composition, here in regard to The Raven, is found by chance or intuition, that the composition moved towards perfection with the precision and inevitability of a mathematical equation.<\/p>\n<p>Music, I feel, must be emotional first and intellectual second.<\/p>\n<p>It is beautiful; it is beautiful after all; I have said nothing; I leave nothing. I have not said what I wanted to say. I have so much more to say.<\/p>\n<p>I look like a moor.<\/p>\n<p>I did my work slowly, drop by drop. I tore it out of me by pieces.<\/p>\n<p>I am not one of the great composers. All the great have produced enormously. There is everything in their work &#8211; the best and the worst, but there is always quantity. But I have written relatively little.<\/p>\n<p>For Debussy the musician and the man I have had profound admiration, but by nature I&#8217;m different from him. I think I have always personally followed a direction opposed to that of the symbolism of Debussy.<\/p>\n<p>Another significant influence, other than Chabrier &#8211; is from Satie, who had a notable effect on Debussy, on myself, and, to tell the truth, on the majority of modern French composers.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-3684","post","type-post","status-publish","format-standard","hentry","category-4","entry"],"_links":{"self":[{"href":"http:\/\/w3devlabs.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/3684","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/w3devlabs.net\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/w3devlabs.net\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/w3devlabs.net\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/w3devlabs.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3684"}],"version-history":[{"count":0,"href":"http:\/\/w3devlabs.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/3684\/revisions"}],"wp:attachment":[{"href":"http:\/\/w3devlabs.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3684"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/w3devlabs.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3684"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/w3devlabs.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3684"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}