{"id":3460,"date":"2015-12-14T19:01:43","date_gmt":"2015-12-15T04:01:43","guid":{"rendered":"http:\/\/w3devlabs2.cafe24.com\/wp\/2015\/12\/14\/afis-100-greatest-american-films-of-all-time\/"},"modified":"2015-12-14T19:01:43","modified_gmt":"2015-12-15T04:01:43","slug":"afis-100-greatest-american-films-of-all-time","status":"publish","type":"post","link":"http:\/\/w3devlabs.net\/wp\/?p=3460","title":{"rendered":"AFI’s 100 GREATEST AMERICAN FILMS OF ALL TIME"},"content":{"rendered":"

AFI’s 100 GREATEST AMERICAN FILMS OF ALL TIME<\/p>\n<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n

#<\/b><\/span><\/p>\n<\/td>\n

\n

MOVIE<\/b><\/span><\/p>\n<\/td>\n

\n

YEAR<\/b><\/span><\/p>\n<\/td>\n<\/tr>\n

\n

1<\/b><\/span><\/p>\n<\/td>\n

\n

CITIZEN KANE<\/a><\/span><\/p>\n<\/td>\n

\n

1941<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

2<\/b><\/span><\/p>\n<\/td>\n

\n

THE GODFATHER<\/a><\/span><\/p>\n<\/td>\n

\n

1972<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

3<\/b><\/span><\/p>\n<\/td>\n

\n

CASABLANCA<\/a><\/span><\/p>\n<\/td>\n

\n

1942<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

4<\/b><\/span><\/p>\n<\/td>\n

\n

RAGING BULL<\/a><\/span><\/p>\n<\/td>\n

\n

1980<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

5<\/b><\/span><\/p>\n<\/td>\n

\n

SINGIN’ IN THE RAIN<\/a><\/span><\/p>\n<\/td>\n

\n

1952<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

6<\/b><\/span><\/p>\n<\/td>\n

\n

GONE WITH THE WIND<\/a><\/span><\/p>\n<\/td>\n

\n

1939<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

7<\/b><\/span><\/p>\n<\/td>\n

\n

LAWRENCE OF ARABIA<\/a><\/span><\/p>\n<\/td>\n

\n

1962<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

8<\/b><\/span><\/p>\n<\/td>\n

\n

SCHINDLER’S LIST<\/a><\/span><\/p>\n<\/td>\n

\n

1993<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

9<\/b><\/span><\/p>\n<\/td>\n

\n

VERTIGO<\/a><\/span><\/p>\n<\/td>\n

\n

1958<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

10<\/b><\/span><\/p>\n<\/td>\n

\n

THE WIZARD OF OZ<\/a><\/span><\/p>\n<\/td>\n

\n

1939<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

11<\/b><\/span><\/p>\n<\/td>\n

\n

CITY LIGHTS<\/a><\/span><\/p>\n<\/td>\n

\n

1931<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

12<\/b><\/span><\/p>\n<\/td>\n

\n

THE SEARCHERS<\/a><\/span><\/p>\n<\/td>\n

\n

1956<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

13<\/b><\/span><\/p>\n<\/td>\n

\n

STAR WARS<\/a><\/span><\/p>\n<\/td>\n

\n

1977<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

14<\/b><\/span><\/p>\n<\/td>\n

\n

PSYCHO<\/a><\/span><\/p>\n<\/td>\n

\n

1960<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

15<\/b><\/span><\/p>\n<\/td>\n

\n

2001: A SPACE ODYSSEY<\/a><\/span><\/p>\n<\/td>\n

\n

1968<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

16<\/b><\/span><\/p>\n<\/td>\n

\n

SUNSET BLVD.<\/a><\/span><\/p>\n<\/td>\n

\n

1950<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

17<\/b><\/span><\/p>\n<\/td>\n

\n

THE GRADUATE<\/a><\/span><\/p>\n<\/td>\n

\n

1967<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

18<\/b><\/span><\/p>\n<\/td>\n

\n

THE GENERAL<\/a><\/span><\/p>\n<\/td>\n

\n

1927<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

19<\/b><\/span><\/p>\n<\/td>\n

\n

ON THE WATERFRONT<\/a><\/span><\/p>\n<\/td>\n

\n

1954<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

20<\/b><\/span><\/p>\n<\/td>\n

\n

IT’S A WONDERFUL LIFE<\/a><\/span><\/p>\n<\/td>\n

\n

1946<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

21<\/b><\/span><\/p>\n<\/td>\n

\n

CHINATOWN<\/a><\/span><\/p>\n<\/td>\n

\n

1974<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

22<\/b><\/span><\/p>\n<\/td>\n

\n

SOME LIKE IT HOT<\/a><\/span><\/p>\n<\/td>\n

\n

1959<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

23<\/b><\/span><\/p>\n<\/td>\n

\n

THE GRAPES OF WRATH<\/a><\/span><\/p>\n<\/td>\n

\n

1940<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

24<\/b><\/span><\/p>\n<\/td>\n

\n

E.T. THE EXTRA-TERRESTRIAL<\/a><\/span><\/p>\n<\/td>\n

\n

1982<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

25<\/b><\/span><\/p>\n<\/td>\n

\n

TO KILL A MOCKINGBIRD<\/a><\/span><\/p>\n<\/td>\n

\n

1962<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

26<\/b><\/span><\/p>\n<\/td>\n

\n

MR. SMITH GOES TO WASHINGTON<\/a><\/span><\/p>\n<\/td>\n

\n

1939<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

27<\/b><\/span><\/p>\n<\/td>\n

\n

HIGH NOON<\/a><\/span><\/p>\n<\/td>\n

\n

1952<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

28<\/b><\/span><\/p>\n<\/td>\n

\n

ALL ABOUT EVE<\/a><\/span><\/p>\n<\/td>\n

\n

1950<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

29<\/b><\/span><\/p>\n<\/td>\n

\n

DOUBLE INDEMNITY<\/a><\/span><\/p>\n<\/td>\n

\n

1944<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

30<\/b><\/span><\/p>\n<\/td>\n

\n

APOCALYPSE NOW<\/a><\/span><\/p>\n<\/td>\n

\n

1979<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

31<\/b><\/span><\/p>\n<\/td>\n

\n

THE MALTESE FALCON<\/a><\/span><\/p>\n<\/td>\n

\n

1941<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

32<\/b><\/span><\/p>\n<\/td>\n

\n

THE GODFATHER PART II<\/a><\/span><\/p>\n<\/td>\n

\n

1974<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

33<\/b><\/span><\/p>\n<\/td>\n

\n

ONE FLEW OVER THE CUCKOO’S NEST<\/a><\/span><\/p>\n<\/td>\n

\n

1975<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

34<\/b><\/span><\/p>\n<\/td>\n

\n

SNOW WHITE AND THE SEVEN DWARFS<\/a><\/span><\/p>\n<\/td>\n

\n

1937<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

35<\/b><\/span><\/p>\n<\/td>\n

\n

ANNIE HALL<\/a><\/span><\/p>\n<\/td>\n

\n

1977<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

36<\/b><\/span><\/p>\n<\/td>\n

\n

THE BRIDGE ON THE RIVER KWAI<\/a><\/span><\/p>\n<\/td>\n

\n

1957<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

37<\/b><\/span><\/p>\n<\/td>\n

\n

THE BEST YEARS OF OUR LIVES<\/a><\/span><\/p>\n<\/td>\n

\n

1946<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

38<\/b><\/span><\/p>\n<\/td>\n

\n

THE TREASURE OF THE SIERRA MADRE<\/a><\/span><\/p>\n<\/td>\n

\n

1948<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

39<\/b><\/span><\/p>\n<\/td>\n

\n

DR. STRANGELOVE<\/a><\/span><\/p>\n<\/td>\n

\n

1964<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

40<\/b><\/span><\/p>\n<\/td>\n

\n

THE SOUND OF MUSIC<\/a><\/span><\/p>\n<\/td>\n

\n

1965<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

41<\/b><\/span><\/p>\n<\/td>\n

\n

KING KONG<\/a><\/span><\/p>\n<\/td>\n

\n

1933<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

42<\/b><\/span><\/p>\n<\/td>\n

\n

BONNIE AND CLYDE<\/a><\/span><\/p>\n<\/td>\n

\n

1967<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

43<\/b><\/span><\/p>\n<\/td>\n

\n

MIDNIGHT COWBOY<\/a><\/span><\/p>\n<\/td>\n

\n

1969<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

44<\/b><\/span><\/p>\n<\/td>\n

\n

THE PHILADELPHIA STORY<\/a><\/span><\/p>\n<\/td>\n

\n

1940<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

45<\/b><\/span><\/p>\n<\/td>\n

\n

SHANE<\/a><\/span><\/p>\n<\/td>\n

\n

1953<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

46<\/b><\/span><\/p>\n<\/td>\n

\n

IT HAPPENED ONE NIGHT<\/a><\/span><\/p>\n<\/td>\n

\n

1934<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

47<\/b><\/span><\/p>\n<\/td>\n

\n

A STREETCAR NAMED DESIRE<\/a><\/span><\/p>\n<\/td>\n

\n

1951<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

48<\/b><\/span><\/p>\n<\/td>\n

\n

REAR WINDOW<\/a><\/span><\/p>\n<\/td>\n

\n

1954<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

49<\/b><\/span><\/p>\n<\/td>\n

\n

INTOLERANCE<\/a><\/span><\/p>\n<\/td>\n

\n

1916<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

50<\/b><\/span><\/p>\n<\/td>\n

\n

THE LORD OF THE RINGS: THE FELLOWSHIP OF THE RING<\/a><\/span><\/p>\n<\/td>\n

\n

2001<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

51<\/b><\/span><\/p>\n<\/td>\n

\n

WEST SIDE STORY<\/a><\/span><\/p>\n<\/td>\n

\n

1961<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

52<\/b><\/span><\/p>\n<\/td>\n

\n

TAXI DRIVER<\/a><\/span><\/p>\n<\/td>\n

\n

1976<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

53<\/b><\/span><\/p>\n<\/td>\n

\n

THE DEER HUNTER<\/a><\/span><\/p>\n<\/td>\n

\n

1978<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

54<\/b><\/span><\/p>\n<\/td>\n

\n

M*A*S*H<\/a><\/span><\/p>\n<\/td>\n

\n

1970<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

55<\/b><\/span><\/p>\n<\/td>\n

\n

NORTH BY NORTHWEST<\/a><\/span><\/p>\n<\/td>\n

\n

1959<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

56<\/b><\/span><\/p>\n<\/td>\n

\n

JAWS<\/a><\/span><\/p>\n<\/td>\n

\n

1975<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

57<\/b><\/span><\/p>\n<\/td>\n

\n

ROCKY<\/a><\/span><\/p>\n<\/td>\n

\n

1976<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

58<\/b><\/span><\/p>\n<\/td>\n

\n

THE GOLD RUSH<\/a><\/span><\/p>\n<\/td>\n

\n

1925<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

59<\/b><\/span><\/p>\n<\/td>\n

\n

NASHVILLE<\/a><\/span><\/p>\n<\/td>\n

\n

1975<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

60<\/b><\/span><\/p>\n<\/td>\n

\n

DUCK SOUP<\/a><\/span><\/p>\n<\/td>\n

\n

1933<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

61<\/b><\/span><\/p>\n<\/td>\n

\n

SULLIVAN’S TRAVELS<\/a><\/span><\/p>\n<\/td>\n

\n

1941<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

62<\/b><\/span><\/p>\n<\/td>\n

\n

AMERICAN GRAFFITI<\/a><\/span><\/p>\n<\/td>\n

\n

1973<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

63<\/b><\/span><\/p>\n<\/td>\n

\n

CABARET<\/a><\/span><\/p>\n<\/td>\n

\n

1972<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

64<\/b><\/span><\/p>\n<\/td>\n

\n

NETWORK<\/a><\/span><\/p>\n<\/td>\n

\n

1976<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

65<\/b><\/span><\/p>\n<\/td>\n

\n

THE AFRICAN QUEEN<\/a><\/span><\/p>\n<\/td>\n

\n

1951<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

66<\/b><\/span><\/p>\n<\/td>\n

\n

RAIDERS OF THE LOST ARK<\/a><\/span><\/p>\n<\/td>\n

\n

1981<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

67<\/b><\/span><\/p>\n<\/td>\n

\n

WHO’S AFRAID OF VIRGINIA WOOLF?<\/a><\/span><\/p>\n<\/td>\n

\n

1966<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

68<\/b><\/span><\/p>\n<\/td>\n

\n

UNFORGIVEN<\/a><\/span><\/p>\n<\/td>\n

\n

1992<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

69<\/b><\/span><\/p>\n<\/td>\n

\n

TOOTSIE<\/a><\/span><\/p>\n<\/td>\n

\n

1982<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

70<\/b><\/span><\/p>\n<\/td>\n

\n

A CLOCKWORK ORANGE<\/a><\/span><\/p>\n<\/td>\n

\n

1971<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

71<\/b><\/span><\/p>\n<\/td>\n

\n

SAVING PRIVATE RYAN<\/a><\/span><\/p>\n<\/td>\n

\n

1998<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

72<\/b><\/span><\/p>\n<\/td>\n

\n

THE SHAWSHANK REDEMPTION<\/a><\/span><\/p>\n<\/td>\n

\n

1994<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

73<\/b><\/span><\/p>\n<\/td>\n

\n

BUTCH CASSIDY AND THE SUNDANCE KID<\/a><\/span><\/p>\n<\/td>\n

\n

1969<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

74<\/b><\/span><\/p>\n<\/td>\n

\n

THE SILENCE OF THE LAMBS<\/a><\/span><\/p>\n<\/td>\n

\n

1991<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

75<\/b><\/span><\/p>\n<\/td>\n

\n

IN THE HEAT OF THE NIGHT<\/a><\/span><\/p>\n<\/td>\n

\n

1967<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

76<\/b><\/span><\/p>\n<\/td>\n

\n

FORREST GUMP<\/a><\/span><\/p>\n<\/td>\n

\n

1994<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

77<\/b><\/span><\/p>\n<\/td>\n

\n

ALL THE PRESIDENT’S MEN<\/a><\/span><\/p>\n<\/td>\n

\n

1976<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

78<\/b><\/span><\/p>\n<\/td>\n

\n

MODERN TIMES<\/a><\/span><\/p>\n<\/td>\n

\n

1936<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

79<\/b><\/span><\/p>\n<\/td>\n

\n

THE WILD BUNCH<\/a><\/span><\/p>\n<\/td>\n

\n

1969<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

80<\/b><\/span><\/p>\n<\/td>\n

\n

THE APARTMENT<\/a><\/span><\/p>\n<\/td>\n

\n

1960<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

81<\/b><\/span><\/p>\n<\/td>\n

\n

SPARTACUS<\/a><\/span><\/p>\n<\/td>\n

\n

1960<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

82<\/b><\/span><\/p>\n<\/td>\n

\n

SUNRISE<\/span><\/p>\n<\/td>\n

\n

1927<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

83<\/b><\/span><\/p>\n<\/td>\n

\n

TITANIC<\/a><\/span><\/p>\n<\/td>\n

\n

1997<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

84<\/b><\/span><\/p>\n<\/td>\n

\n

EASY RIDER<\/a><\/span><\/p>\n<\/td>\n

\n

1969<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

85<\/b><\/span><\/p>\n<\/td>\n

\n

A NIGHT AT THE OPERA<\/a><\/span><\/p>\n<\/td>\n

\n

1935<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

86<\/b><\/span><\/p>\n<\/td>\n

\n

PLATOON<\/a><\/span><\/p>\n<\/td>\n

\n

1986<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

87<\/b><\/span><\/p>\n<\/td>\n

\n

12 ANGRY MEN<\/a><\/span><\/p>\n<\/td>\n

\n

1957<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

88<\/b><\/span><\/p>\n<\/td>\n

\n

BRINGING UP BABY<\/a><\/span><\/p>\n<\/td>\n

\n

1938<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

89<\/b><\/span><\/p>\n<\/td>\n

\n

THE SIXTH SENSE<\/a><\/span><\/p>\n<\/td>\n

\n

1999<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

90<\/b><\/span><\/p>\n<\/td>\n

\n

SWING TIME<\/a><\/span><\/p>\n<\/td>\n

\n

1936<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

91<\/b><\/span><\/p>\n<\/td>\n

\n

SOPHIE’S CHOICE<\/a><\/span><\/p>\n<\/td>\n

\n

1982<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

92<\/b><\/span><\/p>\n<\/td>\n

\n

GOODFELLAS<\/a><\/span><\/p>\n<\/td>\n

\n

1990<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

93<\/b><\/span><\/p>\n<\/td>\n

\n

THE FRENCH CONNECTION<\/a><\/span><\/p>\n<\/td>\n

\n

1971<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

94<\/b><\/span><\/p>\n<\/td>\n

\n

PULP FICTION<\/a><\/span><\/p>\n<\/td>\n

\n

1994<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

95<\/b><\/span><\/p>\n<\/td>\n

\n

THE LAST PICTURE SHOW<\/a><\/span><\/p>\n<\/td>\n

\n

1971<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

96<\/b><\/span><\/p>\n<\/td>\n

\n

DO THE RIGHT THING<\/a><\/span><\/p>\n<\/td>\n

\n

1989<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

97<\/b><\/span><\/p>\n<\/td>\n

\n

BLADE RUNNER<\/a><\/span><\/p>\n<\/td>\n

\n

1982<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

98<\/b><\/span><\/p>\n<\/td>\n

\n

YANKEE DOODLE DANDY<\/a><\/span><\/p>\n<\/td>\n

\n

1942<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

99<\/b><\/span><\/p>\n<\/td>\n

\n

TOY STORY<\/a><\/span><\/p>\n<\/td>\n

\n

1995<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

100<\/b><\/span><\/p>\n<\/td>\n

\n

BEN-HUR<\/a><\/span><\/p>\n<\/td>\n

\n

1959<\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

AFI’s 100 GREATEST AMERICAN FILMS OF ALL TIME<\/p>\n<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n

#<\/b><\/span><\/p>\n<\/td>\n

\n

MOVIE<\/b><\/span><\/p>\n<\/td>\n

\n

YEAR<\/b><\/span><\/p>\n<\/td>\n<\/tr>\n

\n

1<\/b><\/span><\/p>\n<\/td>\n

\n

CITIZEN KANE<\/a><\/span><\/p>\n<\/td>\n

\n

1941<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

2<\/b><\/span><\/p>\n<\/td>\n

\n

THE GODFATHER<\/a><\/span><\/p>\n<\/td>\n

\n

1972<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

3<\/b><\/span><\/p>\n<\/td>\n

\n

CASABLANCA<\/a><\/span><\/p>\n<\/td>\n

\n

1942<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

4<\/b><\/span><\/p>\n<\/td>\n

\n

RAGING BULL<\/a><\/span><\/p>\n<\/td>\n

\n

1980<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

5<\/b><\/span><\/p>\n<\/td>\n

\n

SINGIN’ IN THE RAIN<\/a><\/span><\/p>\n<\/td>\n

\n

1952<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

6<\/b><\/span><\/p>\n<\/td>\n

\n

GONE WITH THE WIND<\/a><\/span><\/p>\n<\/td>\n

\n

1939<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

7<\/b><\/span><\/p>\n<\/td>\n

\n

LAWRENCE OF ARABIA<\/a><\/span><\/p>\n<\/td>\n

\n

1962<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

8<\/b><\/span><\/p>\n<\/td>\n

\n

SCHINDLER’S LIST<\/a><\/span><\/p>\n<\/td>\n

\n

1993<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

9<\/b><\/span><\/p>\n<\/td>\n

\n

VERTIGO<\/a><\/span><\/p>\n<\/td>\n

\n

1958<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

10<\/b><\/span><\/p>\n<\/td>\n

\n

THE WIZARD OF OZ<\/a><\/span><\/p>\n<\/td>\n

\n

1939<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

11<\/b><\/span><\/p>\n<\/td>\n

\n

CITY LIGHTS<\/a><\/span><\/p>\n<\/td>\n

\n

1931<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

12<\/b><\/span><\/p>\n<\/td>\n

\n

THE SEARCHERS<\/a><\/span><\/p>\n<\/td>\n

\n

1956<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

13<\/b><\/span><\/p>\n<\/td>\n

\n

STAR WARS<\/a><\/span><\/p>\n<\/td>\n

\n

1977<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

14<\/b><\/span><\/p>\n<\/td>\n

\n

PSYCHO<\/a><\/span><\/p>\n<\/td>\n

\n

1960<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

15<\/b><\/span><\/p>\n<\/td>\n

\n

2001: A SPACE ODYSSEY<\/a><\/span><\/p>\n<\/td>\n

\n

1968<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

16<\/b><\/span><\/p>\n<\/td>\n

\n

SUNSET BLVD.<\/a><\/span><\/p>\n<\/td>\n

\n

1950<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

17<\/b><\/span><\/p>\n<\/td>\n

\n

THE GRADUATE<\/a><\/span><\/p>\n<\/td>\n

\n

1967<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

18<\/b><\/span><\/p>\n<\/td>\n

\n

THE GENERAL<\/a><\/span><\/p>\n<\/td>\n

\n

1927<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

19<\/b><\/span><\/p>\n<\/td>\n

\n

ON THE WATERFRONT<\/a><\/span><\/p>\n<\/td>\n

\n

1954<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

20<\/b><\/span><\/p>\n<\/td>\n

\n

IT’S A WONDERFUL LIFE<\/a><\/span><\/p>\n<\/td>\n

\n

1946<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

21<\/b><\/span><\/p>\n<\/td>\n

\n

CHINATOWN<\/a><\/span><\/p>\n<\/td>\n

\n

1974<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

22<\/b><\/span><\/p>\n<\/td>\n

\n

SOME LIKE IT HOT<\/a><\/span><\/p>\n<\/td>\n

\n

1959<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

23<\/b><\/span><\/p>\n<\/td>\n

\n

THE GRAPES OF WRATH<\/a><\/span><\/p>\n<\/td>\n

\n

1940<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

24<\/b><\/span><\/p>\n<\/td>\n

\n

E.T. THE EXTRA-TERRESTRIAL<\/a><\/span><\/p>\n<\/td>\n

\n

1982<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

25<\/b><\/span><\/p>\n<\/td>\n

\n

TO KILL A MOCKINGBIRD<\/a><\/span><\/p>\n<\/td>\n

\n

1962<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

26<\/b><\/span><\/p>\n<\/td>\n

\n

MR. SMITH GOES TO WASHINGTON<\/a><\/span><\/p>\n<\/td>\n

\n

1939<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

27<\/b><\/span><\/p>\n<\/td>\n

\n

HIGH NOON<\/a><\/span><\/p>\n<\/td>\n

\n

1952<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

28<\/b><\/span><\/p>\n<\/td>\n

\n

ALL ABOUT EVE<\/a><\/span><\/p>\n<\/td>\n

\n

1950<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

29<\/b><\/span><\/p>\n<\/td>\n

\n

DOUBLE INDEMNITY<\/a><\/span><\/p>\n<\/td>\n

\n

1944<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

30<\/b><\/span><\/p>\n<\/td>\n

\n

APOCALYPSE NOW<\/a><\/span><\/p>\n<\/td>\n

\n

1979<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

31<\/b><\/span><\/p>\n<\/td>\n

\n

THE MALTESE FALCON<\/a><\/span><\/p>\n<\/td>\n

\n

1941<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

32<\/b><\/span><\/p>\n<\/td>\n

\n

THE GODFATHER PART II<\/a><\/span><\/p>\n<\/td>\n

\n

1974<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

33<\/b><\/span><\/p>\n<\/td>\n

\n

ONE FLEW OVER THE CUCKOO’S NEST<\/a><\/span><\/p>\n<\/td>\n

\n

1975<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

34<\/b><\/span><\/p>\n<\/td>\n

\n

SNOW WHITE AND THE SEVEN DWARFS<\/a><\/span><\/p>\n<\/td>\n

\n

1937<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

35<\/b><\/span><\/p>\n<\/td>\n

\n

ANNIE HALL<\/a><\/span><\/p>\n<\/td>\n

\n

1977<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

36<\/b><\/span><\/p>\n<\/td>\n

\n

THE BRIDGE ON THE RIVER KWAI<\/a><\/span><\/p>\n<\/td>\n

\n

1957<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

37<\/b><\/span><\/p>\n<\/td>\n

\n

THE BEST YEARS OF OUR LIVES<\/a><\/span><\/p>\n<\/td>\n

\n

1946<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

38<\/b><\/span><\/p>\n<\/td>\n

\n

THE TREASURE OF THE SIERRA MADRE<\/a><\/span><\/p>\n<\/td>\n

\n

1948<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

39<\/b><\/span><\/p>\n<\/td>\n

\n

DR. STRANGELOVE<\/a><\/span><\/p>\n<\/td>\n

\n

1964<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

40<\/b><\/span><\/p>\n<\/td>\n

\n

THE SOUND OF MUSIC<\/a><\/span><\/p>\n<\/td>\n

\n

1965<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

41<\/b><\/span><\/p>\n<\/td>\n

\n

KING KONG<\/a><\/span><\/p>\n<\/td>\n

\n

1933<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

42<\/b><\/span><\/p>\n<\/td>\n

\n

BONNIE AND CLYDE<\/a><\/span><\/p>\n<\/td>\n

\n

1967<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

43<\/b><\/span><\/p>\n<\/td>\n

\n

MIDNIGHT COWBOY<\/a><\/span><\/p>\n<\/td>\n

\n

1969<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

44<\/b><\/span><\/p>\n<\/td>\n

\n

THE PHILADELPHIA STORY<\/a><\/span><\/p>\n<\/td>\n

\n

1940<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

45<\/b><\/span><\/p>\n<\/td>\n

\n

SHANE<\/a><\/span><\/p>\n<\/td>\n

\n

1953<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

46<\/b><\/span><\/p>\n<\/td>\n

\n

IT HAPPENED ONE NIGHT<\/a><\/span><\/p>\n<\/td>\n

\n

1934<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

47<\/b><\/span><\/p>\n<\/td>\n

\n

A STREETCAR NAMED DESIRE<\/a><\/span><\/p>\n<\/td>\n

\n

1951<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

48<\/b><\/span><\/p>\n<\/td>\n

\n

REAR WINDOW<\/a><\/span><\/p>\n<\/td>\n

\n

1954<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

49<\/b><\/span><\/p>\n<\/td>\n

\n

INTOLERANCE<\/a><\/span><\/p>\n<\/td>\n

\n

1916<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

50<\/b><\/span><\/p>\n<\/td>\n

\n

THE LORD OF THE RINGS: THE FELLOWSHIP OF THE RING<\/a><\/span><\/p>\n<\/td>\n

\n

2001<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

51<\/b><\/span><\/p>\n<\/td>\n

\n

WEST SIDE STORY<\/a><\/span><\/p>\n<\/td>\n

\n

1961<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

52<\/b><\/span><\/p>\n<\/td>\n

\n

TAXI DRIVER<\/a><\/span><\/p>\n<\/td>\n

\n

1976<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

53<\/b><\/span><\/p>\n<\/td>\n

\n

THE DEER HUNTER<\/a><\/span><\/p>\n<\/td>\n

\n

1978<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

54<\/b><\/span><\/p>\n<\/td>\n

\n

M*A*S*H<\/a><\/span><\/p>\n<\/td>\n

\n

1970<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

55<\/b><\/span><\/p>\n<\/td>\n

\n

NORTH BY NORTHWEST<\/a><\/span><\/p>\n<\/td>\n

\n

1959<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

56<\/b><\/span><\/p>\n<\/td>\n

\n

JAWS<\/a><\/span><\/p>\n<\/td>\n

\n

1975<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

57<\/b><\/span><\/p>\n<\/td>\n

\n

ROCKY<\/a><\/span><\/p>\n<\/td>\n

\n

1976<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

58<\/b><\/span><\/p>\n<\/td>\n

\n

THE GOLD RUSH<\/a><\/span><\/p>\n<\/td>\n

\n

1925<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

59<\/b><\/span><\/p>\n<\/td>\n

\n

NASHVILLE<\/a><\/span><\/p>\n<\/td>\n

\n

1975<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

60<\/b><\/span><\/p>\n<\/td>\n

\n

DUCK SOUP<\/a><\/span><\/p>\n<\/td>\n

\n

1933<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

61<\/b><\/span><\/p>\n<\/td>\n

\n

SULLIVAN’S TRAVELS<\/a><\/span><\/p>\n<\/td>\n

\n

1941<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

62<\/b><\/span><\/p>\n<\/td>\n

\n

AMERICAN GRAFFITI<\/a><\/span><\/p>\n<\/td>\n

\n

1973<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

63<\/b><\/span><\/p>\n<\/td>\n

\n

CABARET<\/a><\/span><\/p>\n<\/td>\n

\n

1972<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

64<\/b><\/span><\/p>\n<\/td>\n

\n

NETWORK<\/a><\/span><\/p>\n<\/td>\n

\n

1976<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

65<\/b><\/span><\/p>\n<\/td>\n

\n

THE AFRICAN QUEEN<\/a><\/span><\/p>\n<\/td>\n

\n

1951<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

66<\/b><\/span><\/p>\n<\/td>\n

\n

RAIDERS OF THE LOST ARK<\/a><\/span><\/p>\n<\/td>\n

\n

1981<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

67<\/b><\/span><\/p>\n<\/td>\n

\n

WHO’S AFRAID OF VIRGINIA WOOLF?<\/a><\/span><\/p>\n<\/td>\n

\n

1966<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

68<\/b><\/span><\/p>\n<\/td>\n

\n

UNFORGIVEN<\/a><\/span><\/p>\n<\/td>\n

\n

1992<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

69<\/b><\/span><\/p>\n<\/td>\n

\n

TOOTSIE<\/a><\/span><\/p>\n<\/td>\n

\n

1982<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

70<\/b><\/span><\/p>\n<\/td>\n

\n

A CLOCKWORK ORANGE<\/a><\/span><\/p>\n<\/td>\n

\n

1971<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

71<\/b><\/span><\/p>\n<\/td>\n

\n

SAVING PRIVATE RYAN<\/a><\/span><\/p>\n<\/td>\n

\n

1998<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

72<\/b><\/span><\/p>\n<\/td>\n

\n

THE SHAWSHANK REDEMPTION<\/a><\/span><\/p>\n<\/td>\n

\n

1994<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

73<\/b><\/span><\/p>\n<\/td>\n

\n

BUTCH CASSIDY AND THE SUNDANCE KID<\/a><\/span><\/p>\n<\/td>\n

\n

1969<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

74<\/b><\/span><\/p>\n<\/td>\n

\n

THE SILENCE OF THE LAMBS<\/a><\/span><\/p>\n<\/td>\n

\n

1991<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

75<\/b><\/span><\/p>\n<\/td>\n

\n

IN THE HEAT OF THE NIGHT<\/a><\/span><\/p>\n<\/td>\n

\n

1967<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

76<\/b><\/span><\/p>\n<\/td>\n

\n

FORREST GUMP<\/a><\/span><\/p>\n<\/td>\n

\n

1994<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

77<\/b><\/span><\/p>\n<\/td>\n

\n

ALL THE PRESIDENT’S MEN<\/a><\/span><\/p>\n<\/td>\n

\n

1976<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

78<\/b><\/span><\/p>\n<\/td>\n

\n

MODERN TIMES<\/a><\/span><\/p>\n<\/td>\n

\n

1936<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

79<\/b><\/span><\/p>\n<\/td>\n

\n

THE WILD BUNCH<\/a><\/span><\/p>\n<\/td>\n

\n

1969<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

80<\/b><\/span><\/p>\n<\/td>\n

\n

THE APARTMENT<\/a><\/span><\/p>\n<\/td>\n

\n

1960<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

81<\/b><\/span><\/p>\n<\/td>\n

\n

SPARTACUS<\/a><\/span><\/p>\n<\/td>\n

\n

1960<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

82<\/b><\/span><\/p>\n<\/td>\n

\n

SUNRISE<\/span><\/p>\n<\/td>\n

\n

1927<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

83<\/b><\/span><\/p>\n<\/td>\n

\n

TITANIC<\/a><\/span><\/p>\n<\/td>\n

\n

1997<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

84<\/b><\/span><\/p>\n<\/td>\n

\n

EASY RIDER<\/a><\/span><\/p>\n<\/td>\n

\n

1969<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

85<\/b><\/span><\/p>\n<\/td>\n

\n

A NIGHT AT THE OPERA<\/a><\/span><\/p>\n<\/td>\n

\n

1935<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

86<\/b><\/span><\/p>\n<\/td>\n

\n

PLATOON<\/a><\/span><\/p>\n<\/td>\n

\n

1986<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

87<\/b><\/span><\/p>\n<\/td>\n

\n

12 ANGRY MEN<\/a><\/span><\/p>\n<\/td>\n

\n

1957<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

88<\/b><\/span><\/p>\n<\/td>\n

\n

BRINGING UP BABY<\/a><\/span><\/p>\n<\/td>\n

\n

1938<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

89<\/b><\/span><\/p>\n<\/td>\n

\n

THE SIXTH SENSE<\/a><\/span><\/p>\n<\/td>\n

\n

1999<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

90<\/b><\/span><\/p>\n<\/td>\n

\n

SWING TIME<\/a><\/span><\/p>\n<\/td>\n

\n

1936<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

91<\/b><\/span><\/p>\n<\/td>\n

\n

SOPHIE’S CHOICE<\/a><\/span><\/p>\n<\/td>\n

\n

1982<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

92<\/b><\/span><\/p>\n<\/td>\n

\n

GOODFELLAS<\/a><\/span><\/p>\n<\/td>\n

\n

1990<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

93<\/b><\/span><\/p>\n<\/td>\n

\n

THE FRENCH CONNECTION<\/a><\/span><\/p>\n<\/td>\n

\n

1971<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

94<\/b><\/span><\/p>\n<\/td>\n

\n

PULP FICTION<\/a><\/span><\/p>\n<\/td>\n

\n

1994<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

95<\/b><\/span><\/p>\n<\/td>\n

\n

THE LAST PICTURE SHOW<\/a><\/span><\/p>\n<\/td>\n

\n

1971<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

96<\/b><\/span><\/p>\n<\/td>\n

\n

DO THE RIGHT THING<\/a><\/span><\/p>\n<\/td>\n

\n

1989<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

97<\/b><\/span><\/p>\n<\/td>\n

\n

BLADE RUNNER<\/a><\/span><\/p>\n<\/td>\n

\n

1982<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

98<\/b><\/span><\/p>\n<\/td>\n

\n

YANKEE DOODLE DANDY<\/a><\/span><\/p>\n<\/td>\n

\n

1942<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

99<\/b><\/span><\/p>\n<\/td>\n

\n

TOY STORY<\/a><\/span><\/p>\n<\/td>\n

\n

1995<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

100<\/b><\/span><\/p>\n<\/td>\n

\n

BEN-HUR<\/a><\/span><\/p>\n<\/td>\n

\n

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