{"id":13753,"date":"2017-03-30T07:33:49","date_gmt":"2017-03-30T16:33:49","guid":{"rendered":""},"modified":"-0001-11-30T00:00:00","modified_gmt":"-0001-11-29T15:00:00","slug":"","status":"publish","type":"post","link":"http:\/\/w3devlabs.net\/wp\/?p=13753","title":{"rendered":"[Movie Script]New York Minute"},"content":{"rendered":"<pre>NEW YORK MINUTE<br \/>\nby<br \/>\nEmily Fox<\/p>\n<p>revisions by<br \/>\n<b><br \/>\n<\/b>    Mark Steilen<\/p>\n<p><b>                    REVISED SECOND DRAFT<br \/>\n<\/b><br \/>\nFebruary 27, 2003<br \/>\n<b><br \/>\n<\/b><b>FADE IN:<br \/>\n<\/b><br \/>\n<b>EXT. SUBURBAN STREET - DAWN<br \/>\n<\/b>CLOSE ON the anxious, sweating, frightened face of DREW<br \/>\nMacLEOD, 17, running to save her life. Think Dustin<br \/>\nHoffman in Marathon Man -- someone, something -- is after<br \/>\nher but UNSEEN.<br \/>\nShe glances fearfully behind at her mysterious pursuer,<br \/>\nher BREATHING becoming more labored.<br \/>\nCutting through a deserted park, she leaps a bench.<br \/>\nAbove her, the thin morning sun has only begun to lighten<br \/>\nthe leaves.<br \/>\nAround the corner, she's back on a sidewalk lined with<br \/>\nbeautiful homes, all quiet at dawn, the only noise her<br \/>\nracing FOOTSTEPS and quickening BREATHS.<\/p>\n<p><b>DREW'S POV - HER OWN FRONT DOOR<br \/>\n<\/b>and safety loom half a block down. She pours on the<br \/>\neffort, hurdles a hedge, jumps the stairs and makes the<br \/>\ndoor, rips it open, bolts inside and SLAMS it shut.<\/p>\n<p><b>ANGLE ON THE SHRUB<br \/>\n<\/b><\/p>\n<p><a href='\/app\/script.html?data=New York Minute Script.txt' target='_blank'>More...<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>NEW YORK MINUTE by Emily Fox revisions by Mark Steilen REVISED SECOND DRAFT February 27, 2003 FADE IN: EXT. SUBURBAN STREET &#8211; DAWN CLOSE ON the anxious, sweating, frightened face of DREW MacLEOD, 17, running to save her life. Think Dustin Hoffman in Marathon Man &#8212; someone, something &#8212; is after her but UNSEEN. She &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/w3devlabs.net\/wp\/?p=13753\" class=\"more-link\">\ub354 \ubcf4\uae30<span class=\"screen-reader-text\"> &#8220;[Movie Script]New York Minute&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[10453],"tags":[10454],"class_list":["post-13753","post","type-post","status-publish","format-standard","hentry","category-movie-script","tag-MovieScript","entry"],"_links":{"self":[{"href":"http:\/\/w3devlabs.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/13753","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/w3devlabs.net\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/w3devlabs.net\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/w3devlabs.net\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/w3devlabs.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13753"}],"version-history":[{"count":0,"href":"http:\/\/w3devlabs.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/13753\/revisions"}],"wp:attachment":[{"href":"http:\/\/w3devlabs.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13753"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/w3devlabs.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=13753"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/w3devlabs.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=13753"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}