I believe in the theater; I believe in it as the first glamorizer of thought. It restores dramatic dynamics and their relations to life size.<\/p>\n
I believe that in a great city, or even in a small city or a village, a great theater is the outward and visible sign of an inward and probable culture.<\/p>\n
I don’t know what is better than the work that is given to the actor-to teach the human heart the knowledge of itself.<\/p>\n
I often think that could we creep behind the actor’s eyes, we would find an attic of forgotten toys and a copy of the Domesday Book.<\/p>\n
I should be soaring away with my head tilted slightly toward the gods, feeding on the caviar of Shakespeare. An actor must act.<\/p>\n
I’d like people to remember me for a diligent expert workman. I think a poet is a workman. I think Shakespeare was a workman. And God’s a workman. I don’t think there’s anything better than a workman.<\/p>\n
I’m rather bored by the subject-meaning me. It’s a sort of a yoke, but at times you know, a yoke is a kind of comfort. And it’s always there.<\/p>\n
Lead the audience by the nose to the thought.<\/p>\n
Living is strife and torment, disappointment and love and sacrifice, golden sunsets and black storms. I said that some time ago, and today I do not think I would add one word.<\/p>\n
My stage successes have provided me with the greatest moments outside myself, my film successes the best moments, professionally, within myself.<\/p>\n
Surely we have always acted; it is an instinct inherent in all of us. Some of us are better at it than others, but we all do it.<\/p>\n
The office of drama is to exercise, possibly to exhaust, human emotions. The purpose of comedy is to tickle those emotions into an expression of light relief; of tragedy, to wound them and bring the relief of tears. Disgust and terror are the other points<\/p>\n
There is a spirit in us that makes our brass to blare and our cymbals crash-all, of course, supported by the practicalities of trained lung power, throat, heart, guts.<\/p>\n
We have all, at one time or another, been performers, and many of us still are – politicians, playboys, cardinals and kings.<\/p>\n
When you’re a young man, Macbeth is a character part. When you’re older, it’s a straight part.<\/p>\n
\uadf8\uac00 \uc7a0\uc2dc \uae38\uc744 \uc783\uc5c8\ub2e4\uba74, \uadf8\ub294 \ub2e4\uc2dc \uace7\ubc14\ub85c \uafc0 \uc18d\uc73c\ub85c \ub2e4\uc774\ube59\ud558\uace4 \ud588\ub2e4.<\/p>\n
\uadf8\uac83\uc740 \uc720\uce58\ud55c \uc0c1\uc0c1 \uac8c\uc784\uacfc \uac19\ub2e4.<\/p>\n
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\ubc30\uc6b0\ub294 \uc6b0\uc8fc\ub97c \uc790\uc2e0\uc758 \uc190\ubc14\ub2e5 \uc548\uc5d0 \ub9cc\ub4e4\uc218 \uc774\uc788\uc5b4\uc57c \ud55c\ub2e4.<\/p>\n
\uc2f8\uc778\uc744 \ubaa8\uc73c\ub294 \uac83\uc740 \uc131\uc801\uc778 \uad76\uc8fc\ub9bc\uc5d0\uc11c \ub098\uc624\ub294 \ud638\uae30\uc2ec\uc5d0 \uc758\ud55c \uac00\uc7a5 \ube44 \ub9e4\ub825\uc801\uc778 \ud589\uc704\uc774\ub2e4.<\/p>\n
\uc5f0\uae30\ub294 \ub9c8\uc870\ud788\uc2a4\ud2f1\ud55c \uc790\uae30 \uacfc\uc2dc\uc774\ub2e4. \uc5b4\ub978\uc758 \uc9c1\uc5c5\uc774\ub77c\uace0 \ud558\uae30\ub294 \uc5b4\ub835\ub2e4.<\/p>\n
\uc6b0\ub9ac\ub294 \uc6d0\uc22d\uc774\ub2e4. \uc6b0\ub9ac\ub294 \ub530\ub77c\ud558\uace0 \ud749\ub0b4\ub0b8\ub2e4. \uc6b0\ub9ac\ub294 \uc5f0\uae30\ub97c \ud55c\ub2e4.<\/p>\n
\uc624\ub298\uc758 \uba85\uc5b8 \ub354\ubcf4\uae30 http:\/\/w3devlabs.net\/ci\/index.php\/today\/words<\/a><\/p>\n","protected":false},"excerpt":{"rendered":" \ub85c\ub80c\uc2a4 \uc62c\ub9ac\ube44\uc5d0 I believe in the theater; I believe in it as the first glamorizer of thought. It restores dramatic dynamics and their relations to life size. I believe that in a great city, or even in a small city or a village, a great theater is the outward and visible sign of an inward … <\/p>\n